日批在线视频_内射毛片内射国产夫妻_亚洲三级小视频_在线观看亚洲大片短视频_女性向h片资源在线观看_亚洲最大网

70 years on, ‘Gone With the Wind’ still holds up

(Agencies)
Updated: 2009-12-16 10:41
Large Medium Small

70 years on, ‘Gone With the Wind’ still holds up

Before attacking the film version of “Gone with the Wind” for its racial and gender politics, it bears noting that almost as much time has lapsed between today and the film’s original release as had lapsed between that original release and the end of the Civil War. And it can be argued that American society underwent greater changes between 1939 and 2009 than it did between 1865 and 1939.

All of which is to say, if you can cut “GWTW” some slack for not being as enlightened as we are today, the movie remains one of the greatest products of the Hollywood studio system. In a year that remains the high-water mark for mainstream American filmmaking, the saga of Scarlett O’Hara stands atop a very high mountain.

To mark the occasion of the 70th anniversary of “GWTW,” I watched the film again for the first time in years and was struck by its excellence in everything from the writing to the performances to the technical craftsmanship. When you stop to realize that feature films had sound for only about a dozen years up to that point — and color for even less — the achievements of producer David O. Selznick and his extraordinary team of artists become even more impressive.

Let’s start with the performances, though — the role of Rhett Butler was all but written for Clark Gable, and he delivers some of the finest acting of his career. We see the cynicism as well as the fragile heart that cynicism protects, and we believe him as a badass and as a lover, as a rogue and as a gentleman.

Black women in film Halle Berry breaks down barriers, Wanda Sykes makes us laugh and Rosario Dawson proves she can take on any role. more photos Matching him every step of the way is Vivien Leigh’s Scarlett. In her mid-20s during production, Leigh convincingly ages the character from flirty teen debutante to cold-hearted businesswoman. Just before intermission, when she vows to “l(fā)ie, steal, cheat or kill” to survive in the post-war South, we’re convinced she means it. (And, as the second half of the film reveals, she certainly does.) Scarlett O’Hara and Melanie Wilkes — the latter saved from being a two-dimensional goody-goody thanks to Olivia de Havilland’s empathetic acting — are the original steel magnolias.

The casting remains effective all the way down the line — director Victor Fleming (with help from his predecessors George Cukor and Sam Wood) fills the movie with performers distinctive enough to make an impact with just a few moments on screen. From the holier-than-thou sneer of Alicia Rhett’s India Wilkes to Ona Munson’s hard-bitten kindness as the notorious madam Belle Watling, the characters of “GWTW” stay in the memory even if they’re in the movie for less than a few minutes.

MSNBC Marquee

Justin Timberlake, it’s not about you

Timberlake must have missed the memo that unlike the times he’s on stage at one of his concerts, this isn’t about him.

主站蜘蛛池模板: 国产成人一区二区 | 91丨九色丨黑人外教 | 蜜臀99久久精品久久久久小说 | 美女一区二区三区四区 | 99久久婷婷国产综合 | 国产黄色三级 | 日韩精品中文字幕一区二区 | 殴美一级特黄aaaaaa | 亚洲图片中文字幕 | 波多野一区二区 | 黄色大片免费看 | 成人免费毛片aaaaaa片 | 亚洲精品综合 | 欧美三级视频 | 麻豆视频一区 | 久久精品视频1 | 成人午夜| 国产精品视频播放 | 五月天激情片 | 日韩一区二区精品视频 | 久草中文在线观看 | 日本在线观看一区 | 超碰自拍| 免费看一级黄色片 | 韩国演艺圈悲惨事件在线 | 精品国产乱码久久久久 | 欧美视频不卡 | 精品成人在线观看 | 日本高清www免费视频 | 婷婷俺来也 | 超碰黑人 | 人人揉人人 | 久久综合精品视频 | 成人av专区| 97色在线| 性欧美video另类hd尤物 | xxx日本| a天堂中文在线 | 亚洲色图综合区 | 黄色网址你懂的 | 日韩精品福利在线 |