日批在线视频_内射毛片内射国产夫妻_亚洲三级小视频_在线观看亚洲大片短视频_女性向h片资源在线观看_亚洲最大网

CULTURE

CULTURE

A writer true to his word

By Yang Yang????|????China Daily????|???? Updated: 2024-12-28 10:11

Share - WeChat
Cover for the Chinese version of his book, At Dusk.[Photo/China Daily]

Hwang's aspiration to become a writer began in the fourth grade. He wrote his first essay, Homecoming Day, for a composition class about returning after the war to find his home half-destroyed. After winning the top prize in a national writing contest for primary school students, the essay was published in a newspaper, which inspired Hwang to pursue a career in writing.

He wrote his first story at 16 and three years later won the New Writer Award organized by Sasanggye (The World of Thought) magazine, marking the beginning of a lifelong writing career. He dedicated considerable time to learning about society through personal experiences and interviews, aiming to better understand reality.

He participated in social movements and traveled, working in various factories to make a living. By his mid-20s, Hwang had experienced wars, displacement, vagrancy, laboring in sweatshops, imprisonment and even becoming a monk. These experiences were invaluable for his personal growth, offering him unique perspectives on his country and society. They also provided rich material that he would later reflect on and transform into outstanding novels.

In the following decades, Hwang continued to observe society and address its problems in his works.

In At Dusk, he focuses on the rapid urbanization in the ROK, a period when villages transformed into cities with a booming real estate market, commercial growth and what he saw as cultural decline.

In 1998, Hwang was released from prison as Asia was going through a serious financial crisis. When the situation improved, a global economic crisis hit in 2008. In these hard times, the socially vulnerable and younger generations felt particularly helpless.

Since the start of the 21st century, the ROK has overtaken Japan with the highest suicide rate in the world. This increase, Hwang says, was not "due to extreme despair or helplessness but the unwillingness to live in disgrace". Many individuals chose to die with their families. Such was the dark atmosphere in the shadow of capitalism, he adds.

Zhi An says: "What impressed me most about the novel is that, although progress has significantly improved material living conditions, it has not brought the expected increase in happiness."

For Hwang, the novel offers younger generations a chance to review the mistakes the older generations made on their way forward in the process of modernization.

Using the psychological term "a hole with a lid", Hwang compared the mistakes that one made in life to holes, which were often temporarily covered or filled as a quick way to deal with them.

As people moved forward, looking back revealed holes everywhere.

"When we return to the holes, open the lids and reexamine the darkness inside, such a review marks our personal growth. Our society develops the same way," Hwang says.

"Looking back and opening the lids to reexamine those holes is the function of literature," he says, adding that "the publishing of this novel is connected to this function as well".

Hwang believes that during the process of social development, the older generations covered or filled holes they made along the way. Now is the time to hand them over to the younger generations for reflection, he adds.

For decades, he stuck to traditional methods to collect materials for his realistic descriptions of life and work, such as those in At Dusk. Before starting the novel, he went to the suburbs of Seoul to talk to young men working in cafes and pizza shops. He asked them about their lives, and when they mentioned their girlfriends, he would ask them to bring them to their talks. On their days off, he would ask them out for drinks. "It takes at least one month to gain a better understanding of their lives, which is essential work for a writer," he says.

"When I write about other people's lives, I often think about what they are thinking and what their life is like so that readers can resonate with my works," he adds. "Resonance and connection are the foundation of literature in the 21st century."

Although Hwang experienced a lot of turns and twists in earlier years, he says that "on the whole, the world is getting better".

When asked about dealing with the relationship between writing and the advancement of time, he says, "for me, it's not about staying young forever but continuously adapting to a changing society".

As one of the first authors in the ROK to write online, he learned to use ChatGPT 4.0 three months ago to assist with his research, which greatly improved the quality and efficiency, he says.

|<< Prev 1 2 3   
Copyright 1994 - .

Registration Number: 130349

Mobile

English

中文
Desktop
Copyright 1994-. All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co(CDIC).Without written authorization from CDIC, such content shall not be republished or used in any form.
主站蜘蛛池模板: 欧美特级视频 | 成人欧美激情 | 天天操天天操天天射 | 亚洲色图另类小说 | 黄色一级视频网站 | 久久国产香蕉视频 | 亚洲国产精品一 | 成人a视频在线观看 | 国产99视频在线观看 | 午夜三级视频 | 一区二区视频网 | 国产美女久久 | 欧美综合成人 | 99精品成人 | 亚洲免费在线播放 | 一级国产黄色片 | 成人福利视频导航 | 青青青在线 | 香蕉视频在线免费 | 日韩在线视频一区二区三区 | 性做久久久 | 亚洲色图 校园春色 | 日本免费一二三区 | 最新中文字幕 | 成人三级av | 黄色专区| 精品欧美久久 | 久久久久久久久99 | 99精品视频在线免费观看 | 国产乱人乱偷精品视频a人人澡 | 亚洲日本久久 | 欧美视频中文字幕 | 国产视频欧美 | 国产精品不卡一区二区三区 | 亚洲国产精品欧美久久 | 欧美成人精品一区二区三区在线看 | 尤物在线播放 | 国产又粗又长又硬 | 欧洲黄视频 | 国产精品久久久久久久久久久久久久久久 | 香蕉av在线播放 |