But Zhao Ningyu, movie professor at Communication University of China, feels sad seeing the country's time-honored film bases being demolished one after another to give way to urbanization. Over the years, when the Changchun Film Studio and Shanghai Film Studio both had one of their old film bases demolished, and when E'mei Film Studio announced its plans to convert one film base into a cinema, Zhao expressed his grief through his micro-blog. But he admitted that the companies have taken bold steps to "sell land for a second career".

"If Beijing Film Studio didn't give up its land, how can it raise enough money to have a second site at Huairou? How can it afford new shooting facilities?" he said.

While industry insiders empathized with the situation, the studio's old employees are disappointed with the move.

"Beijing Film Studio belongs to 500 employees, not just one person," says a 74-year-old retiree who asked not to be named. She feels that the company should have negotiated with employees before coming to a decision.

She has worked as a dresser at the studio since 1958. She is proud that her name has appeared in the closing credits of many classic Chinese films. Witnessing the film sets being demolished is like dismantling her own home, she says.

In a campaign to motivate her fellow workers to stand up against the demolition plan, she collects relevant news reports and the studio's old photos, and displays them in a public space inside the studio. Next to the clippings and photos, she hangs a white board to collect the signatures of those who oppose the demolition plan.

So far, she says, she has collected nearly 200 signatures, including renowned veteran actors such as Ge Cunzhuang, father of Cannes International Film Festival best actor award winner Ge You.

On Aug 25, this group had a gathering in which they donated money with a resolution to continue their collective protest.

Earlier, a group called "Beijing Film Studio employees and retirees" wrote a letter to the capital's cultural heritage and city planning authorities to urge them to punish those who destroyed three structures within the vicinity that have been listed in the "Beijing Outstanding Modern and Contemporary Architecture Protection List".

According to regulations, listed buildings are not allowed to be demolished, remodeled or expanded. If the valuable property has to be moved because of public construction, they should be relocated to another place as a whole.

Their efforts have paid off. On Monday, the Beijing City Planning Commission demanded that the three major buildings at Beijing Film Studio be preserved.

Lu (who declined to give her full name) from Sichuan, 65, has been an acting extra for five years. Even though she is a veteran, she gets only about three scenes a month and earns about 50 yuan for each scene. But she says she's happy because money is not her sole motivation.

She is concerned that once the studio is housed within a leisure center, extras like her will no longer be allowed to wait at the gate for a chance to be picked by casting directors.

The distance and transportation cost to Huairou will also make it not viable for her. Living with her son in downtown Beijing now, moving to Huairou is out of the question to satisfy her "little hobby", she says.

Another extra, 17-year-old Li Hongru, who dropped out of high school to pursue her dream of becoming a film star in Beijing, says she will stay optimistic for now, hanging onto the promises of her colleagues who told her that the film studio will find a new place for the extras to gather after the old studio is demolished.

"The old dream place is gone. But a new one will emerge," Li says.

Contact the writer at hanbingbin@chinadaily.com.cn.

Lin Tongfei contributed to this story.