Feng shot back by saying Sun had had his brain damaged by the burning fervor. A further examination would reveal that Feng was pitted against

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Sun on only the aesthetic point. In his memoir, he has detailed his positive feelings about Sun's role as a soldier, which reminded him of his own military service.

The back and forth between them was conducted through the traditional press. Nowadays one can do this without the filtering of an intermediary by going directly to social media. Either way, it may not be an optimal approach to a rational debate. But it has its own way of bringing issues of gravitas to the surface of simmering sentiments. There's nothing like the exchange of two firebrands, each with tens of millions of followers on a microblog, to spark an intense interest in matters of wider ramification.

Had Feng kept quiet, only a few industry insiders would have been informed of the ways Chinese movies are distributed overseas. Had Sun suppressed his aversion to gays, he might have not learned that many of his peers in the entertainment business are among the targets of his moral indignation. And we the public might not have detected a rift in generational perception of the standards for entertainment products.

People in showbiz are caught in a quandary. It is generally deemed inappropriate to make public comments on the works of their peers. And other topics could be beyond the reach of their professional expertise. Sure, some stars champion causes close to their hearts or endorse propositions of a charitable nature. But most steer clear of outright controversies.

People like Feng Xiaogang have their own logic. They want to carve out more space for their views after they have attained a certain level of professional achievement and social influence. Rather than placing themselves in a straitjacket of public anticipation, they turn their clout into more leeway for what they say and what they do.

Feng is a paragon of this art. In his memoirs, he goes to great lengths to offer his take on many of the hottest filmmakers of our era, which is taboo unless it is padded with ingratiating eulogies. He manages to get his points across in a language that seems deferential yet does not drown out the truth. It is a linguistic skill he also employs in his movies, which makes it harder for people from other cultures to fully appreciate them.

Even though I do not see eye to eye with Sun Haiying on many of the points he raised, I don't think he should be shamed into silence simply because his perspective would be seen by some as a sign of bigotry. His candor is helpful to the future reconciliation of what are now regarded as moral disparities, just as positive role models can help dispel the clouds of stigma.

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