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CULTURE

Mediterranean myths meet Silk Road history in Ningxia exhibition

XINHUA????|???? Updated: 2026-04-07 09:09

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The Myth on Pottery exhibition at the Ningxia Museum in Yinchuan, Ningxia Hui autonomous region, highlights cultural connections while linking tourism with heritage. [Photo/Xinhua]

YINCHUAN — For Anna Lucia Tempesta, an Italian museum curator, an exhibition is never merely a display of ancient objects, but rather serves as an open invitation to intercultural dialogue.

This philosophy is currently coming to life in Ningxia Hui autonomous region, where an ongoing showcase of ancient Mediterranean pottery has evolved into a profound exchange between European and Chinese heritage professionals.

The catalyst for this exchange is the Myth on Pottery exhibition, which opened in late March at the Ningxia Museum. Featuring 115 precious ceramics, sculptures and glassware from Italy's Puglia region, the event uses the myths of ancient Greek deities to illustrate Mediterranean culture and history.

However, as the exhibition settles into its three-month run, the spotlight has shifted beyond the artifacts to the deep, collaborative ties being forged behind the scenes.

Tempesta, the Italian chief curator of the exhibition and a promotion officer at Puglia's Department of Tourism and Culture, notes that the true triumph of the event lies in mutual discovery.

"These items are not merely vessels. Their patterns and motifs tell stories of ancient customs, earthly harvests and the relationships between peoples," Tempesta says after extensive discussions with her Chinese counterparts.

"These images are meaningful to us, and they hold meaning for you. If we converse, we explain and you listen, you interpret and we understand — that is true exchange. We are both enriched by it," she adds.

This shared understanding is vividly captured in the exhibition hall itself.

Chinese and Italian curators deliberately placed a 400 BC Greek krater from Puglia alongside a Chinese national treasure, namely a gilt silver ewer unearthed from a local tomb dating back to the Northern Zhou Dynasty (557-581). Made in the ancient Bactria region, which is in present-day northern Afghanistan, the ewer features Persian and Roman decorative elements.

Remarkably, both artifacts depict scenes from the Trojan War. Placed adjacent to each other, they create a vivid, cross-continental resonance spanning thousands of miles, underscoring Ningxia's historical role as a vital crossroads on the ancient Silk Road.

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