The closing ceremony of "Seeking the Dragon in China", a pioneering technology and cultural creativity training program jointly organized by the Palace Museum and funded by the Academy of Philanthropy, was held on July 3, 2025 at the Fringe Club, featuring collaborations between mainland and Hong Kong designers and blending traditional heritage with cutting-edge innovation.

Over 3,500 visitors attended the exhibition, which featured works by emerging talents trained under the five-year initiative. Unlike conventional cultural product designs that directly copy historical motifs, participants delved into the philosophical essence of Chinese dragon symbolism, reimagining it through digital art, sustainable materials, and public engagement concepts.

"These creations aren't just about aesthetics - they're bridges connecting ancient wisdom to modern technology," said Wu Di, Director of the Palace Museum's cultural creative division. Wang Hong, Deputy Secretary-General of the Academy of Philanthropy, hailed the program's role in fostering "a dialogue between tradition and global perspectives," particularly through Hong Kong's unique position as an international creative hub.

Hong Kong designer Freeman Lau, a mentor of the participants, explained how Hong Kong's cosmopolitan design language injected fresh vitality into Palace Museum IP. "The fusion of pragmatic commercial thinking and cultural depth here has birthed truly transnational storytelling," he said.

A follow-up cultural salon explored emotional resonance in design, while a public lecture by Palace Museum researcher Zhu Yong on the paradox and harmony in Along the River During the Qingming Festival drew parallels between historical narratives and contemporary creative challenges.

The program's second phase, to be launched this autumn, will align with the Palace Museum's upcoming centenary celebrations, further leveraging Hong Kong's cross-cultural networks to amplify China's soft power.