"Since the 20th century, modern Chinese sculpture has reflected Chinese traditions while also incorporating Western artistic ideas," he said. "The integration of traditional art, with its emphasis on freehand and linear expression, and Western art, which stresses design and space, has injected life into Chinese sculpture and taken it to the next level."

The Yak was made of marble by Liu Kaiqu, the first director of the NAMOC, in 1960. Liu, who had studied in France in his youth, created many works that are emblematic of the national spirit. He made the Yak based on the observations of the lives in Tibet. "Liu Kaiqu was regarded as an important pioneer of modern Chinese sculpture," said Wu. "His white marble sculpture Yak is both simple and elegant, placid and timeless -- a passionate ode to life." Xiong Bingming studied in France where he hence lived.

He was influenced by Chinese philosophy and freehand brushwork, which could be seen from his Horse of cast bronze. "His bronze Horse -- majestic and solemn -- transcends time and space," Wu said. "Following in the footsteps of my seniors, I strive to contribute to a conversation that encompasses both Chinese and Western art and to learn about life through art," he continued.