"For me, virtuality is a means to express myself, to understand reality, which is what I'm interested in," says the artist, who first presented her video installation Whose Utopia? in the UK in 2006 and followed it with RMB City in 2008, which was constructed in the online virtual world of Second Life. "I use writing and film too, but we are living in an age of rapid technology. In this context, we need to know that virtuality has changed the way reality works. And to do this, we need to be part of it."

Central to the exhibition is The Eternal Wave, a new site-specific virtual-reality installation that brings together archival materials and furniture based on elements of Cao's Beijing studio, as well as her latest film, Nova. These works are the culmination of Cao's research in Beijing over the last five years, examining the social history and urban transformation of the city's Jiuxianqiao area where she lives and works. Get ready to be part of the alternate realities and multiple frames of experience that distinguish the work of this most prescient artist.