The real-life Cantonese composition that is said to have “inspired a nation” is called Dragon Boat Racing. So is the performance, with its scenes depicting collective rowing. An ancient Chinese custom, the dragon boats are meant to convey Chinese perseverance during some of the last century’s darkest times.

“In China, the dragon boat festival is an activity for the people. Families and friends must all work together,” says Han Zhen, Dragon Boat Racing’s co-director. “In doing so, they create a very strong force. In our show, the dragon boat race shows unity and strength between different Chinese ethnic groups.”

The show is part of an initiative called “Image China,” which brings Chinese culture and arts to the United States. Dragon Boat Racing premiered in New York two years ago. It opened in Washington, DC, over the weekend and will play in Philadelphia later this week.

Laurence Smelser, an American who said his father fought against the Japanese in Java, Indonesia, said it was important to see such productions. “I think it was beautifully done, incredibly well set, and (there were) good performances,” Smelser said after the show. “I am interested in knowing more about China as a result.”

That is largely intentional. Performances like these are part of China’s efforts to open up to the world. They came at a time when some in the US are growing suspicious of China’s rise. The artists behind Dragon Boat Racing hope the themes conveyed on stage – love, war, and resilience – can ultimately transcend borders.