日批在线视频_内射毛片内射国产夫妻_亚洲三级小视频_在线观看亚洲大片短视频_女性向h片资源在线观看_亚洲最大网

CULTURE

CULTURE

To bid, or not to bid: the Oscar race in China

By Zhang Xingjian????|????chinadaily.com.cn????|???? Updated: 2017-10-13 13:39

Share - WeChat

 

A scene from Wolf Warrior 2 [Photo/Mtime]

 

Chinese film phenomenon Wolf Warrior 2 was selected as the Chinese entry for the Best Foreign Language Film category at the 90th Academy Awards this month.

As a commercial blockbuster, Wolf Warrior 2 achieved huge success both at the box office and in public praise. More importantly, it redefined China’s entry for Oscar awards.

Some people are excited to see Wolf Warrior 2 flying the flag for China in an Oscar bid, while others think otherwise.

Wolf Warrior 2 received praise for its patriotic plot, action sequences and the cast's performances but was criticized for excessive attention to visual effects and a plot short of “themes”.

 

Posters of Raise the Red Lantern (left) and Farewell My Concubine [Photo/Mtime]

 

Only four Chinese films have been officially nominated for the Best Foreign Language Film, despite submissions each year since 1979. The four are Ju Dou, Raise the Red Lantern and Hero, directed by Zhang Yimou, and Farewell My Concubine, by Chen Kaige.

Meanwhile, other films have found awards success, outside the Oscars. Red Sorghum won the coveted Golden Bear at the 1988 Berlin Film Festival; To Live won the Prize of the Ecumenical Jury, Best Actor and Grand Prix at the 47th Cannes Film Festival; The Story of Qiu Ju won the Golden Lion award at the Venice Film Festival in 1992.

Those films may have different directors, plots and performances, but they all boast a strong artistic atmosphere and memorable moments.

They are referred to as “literary films”.

 

Poster of Hero [Photo/Mtime]

 

At that time, literary films seemed to win the favor of western film festival juries and occupy a huge market share in the Chinese mainland. Indeed, the twenty years from 1985 to 2005 represent the golden period for Chinese literary films and make the world better understand Chinese film as an art form.

However, a vicious circle began to make inroads on the film industry in China.

Quite a few directors paid too much attention to producing literary films, despite public response and box office failure. And in many research centers and institutions of higher learning, teachers have advocated the French New Wave while looking down on commercial films.

“At that time, young people would rather watch Hong Kong comedies and costume films through renting VCDs at home than support ongoing art films at the theaters,” says Wang Yichuan, director of the School of Arts at Peking University.

“The film industry in the Chinese mainland was out of line with the general public at that time. Movies should play the role of enriching people’s daily lives before acting as a tool to win film awards,” says Wang.

1 2 Next   >>|
Copyright 1994 - .

Registration Number: 130349

Mobile

English

中文
Desktop
Copyright 1994-. All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co(CDIC).Without written authorization from CDIC, such content shall not be republished or used in any form.
主站蜘蛛池模板: 成人3d动漫一区二区三区91 | 在线看片中文字幕 | 精品美女视频在线观看免费软件 | av中文字幕观看 | 先锋影音男人资源站 | 久久成人在线 | 天天综合视频 | 日韩最新av | 日日久| 中文在线字幕观看 | 琪琪色在线观看 | 精品视频久久久久 | 99久久久精品免费观看国产 | 成人在线观看免费 | 青草草在线视频 | 国产成人精品av在线观 | 亚洲欧美一区二区三区久久 | 成人伊人综合 | 91精品久久久久久久久中文字幕 | 巨乳毛片 | 极品三级 | 久久亚洲视频 | 秋霞av网 | 精品一区二区在线播放 | 国产美女91呻吟求 | 亚洲第九十九页 | 丁香六月色婷婷 | 国产精品久久久久久亚洲毛片 | 欧美日韩不卡视频 | 人人澡超碰碰97碰碰碰 | 中文字幕一区二区三区在线观看 | 国产成人小视频 | 日韩精品自拍 | 亚洲天堂激情 | 义姐是不良妈妈在线观看 | 亚洲老头老太树林hd | 日韩欧美综合一区 | 免费成人高清视频 | 欧美一及片 | 久草成人网 | 国产人成 |